I use surrounds and DSP for subs and surrounds through a Yamaha Pre/Pro. I also have a separate gain unit for bass so it can be boosted and volume controlled through a single knob without going into the AV menus.
I use the four subs, all of different manufacture, around the room to enhance dispersal and reinforcement, generally according to the Geddes recommendations. Also, the surround programs contribute to integration. Ambience is a potent enhancer and smoother of bass output as well due to the various delays.
I am loath to recommend bass arrangements to audiophiles, because it seems it's one of those 'princess and the pea' subjects, and audiophiles differ in their sensitivity to 'wet' or 'dry' as well as volume and apparent seamlessness with the mains. I would cite my own sensitivity to such things as modest, so I am easy to please as long as I have enough booty thumps.
However, most visitors have liked my bass for whatever reason, though it has been altered over the years to its present form. I did have one visitor who didn't like it, though, but that was when I had a different single woofer in place many years ago.
Apogees tend to have such a lovely, rich lower bass and midrange that I might also be hesitant to contaminate such if the main panels had enough output. Analysis speakers have a quicker but 'thinner' type of sound by comparison, akin to stats but with more body. However, I don't think that 'speed' difference would necessarily overcome the Apogee 'advantage' which is significant.
How loud do you guys record at?
Everything I try to capture ends up being really quiet.
You still haven't found the light switch, Stehno?
Isn't there a U2 song dedicated to you? Lol
Could you illuminate things a little?
That song always sounds fresh and enjoyable every-time I hear it...
Skies are sunny? Bees make honey?
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