I have done the double Sotm switches with 10M masterclocked connected via Dalby Meda ad powered by the Hynes SR5 DR.
I found it did objectively improve a level or 2 and not the configuration of optical between the 2 as i didn't have the extra fibre and transceivers. I was good, but i didn't miss just with a single switch fed via optical from another clocked Media converter.
The accuracy added more "Hifiness" which was immediately identifiable within 15 seconds of a track, more open, dynamic, clearer,
It did however add more sterility to the music and;without the 2nd Sotm switch gives a fuller and natural sound which i find more musical.
So it did'nt take and to identify the "feel" of the musical flow and do not want more clutter of equipments etc.
Rather, i may revisit the configuration in future to replace my 1st Fibre media converter to the current Sotm switch which is connected 8 meters away, outside my listening room.
This was what i wanted to test, it would be fed by a spare rubidium 10M clock and a Hynes PSU as well.
But not in any hurry with the daunting task to set such a configuration up which will be my end game networking setup if and when i do so.
I did try also an multiple fibre 25M clocked fibre converter before the Sotm, it was different yet again, even fuller but no less or more musical and content with a simpler, less cluttered setup with different power supplies and extra connections all over.
I believe due to the extensive networking tweaks i have done, i can now use either my NAD streamer or W20 which the NAD, though loses to the W20 overall, just as musically satisfying but offers much more music streaming services available at my fingertips.
I might add that i have been using multiple ocxo clocked switches for quite some time.
Contented with just 1 for now, bth 10M clocked. I would not even consider adding without BOTH being 10M clocked.
First unit with just the sclk ex without 10M did not light any fires for me.