Even more Filters
After this, several more filter incarnations followed but by now, the trend had become abundantly clear. When the tonality, richness, and naturality were increased, the openness and resolution were decreased, and vice versa. The most natural filter was absolutely fantastic for vocals, piano, and acoustic instruments while the most accurate filter was an absolute party with anything electronic. Meanwhile, I also observed that acoustic bass benefited from both filters but in different manners. This coincides with what aspects we personally feel most personify actual live instruments. For one person, this might be tonality and timbral complexity while for another it might be speed and snappy transient behavior.
Whilst listening to all these differences, and considering how Emile and I seemed to have slightly different preferences, the idea formed to include more than a single filter in the final incarnation of the Extreme DC Power Distributor.
As this idea was ping-ponged between Emile and me, and Emile discussed the details with the rest of the team while assessing the impact of this on the product, the available options ultimately converged to 3 different filters. We could have chosen 5 filters as well, or even more. But the trouble is that it was not just a matter of adding a switch… To enable the different filters, the eventual unit had to contain completely independent filter sections for each filter incarnation, complete with rather large and rather costly capacitors. This unavoidable aspect, along with the machined-from-solid-copper material enclosure that had to be ever larger to accommodate more filters, dictates the price, which as we added filters went north rather quickly.
3 final Filters
What we ultimately ended up with as ideal is what we dubbed the “Default” filter. This is what is considered to be neutral, when referenced against a Battery Power Supply, in the Taiko Audio system. This Default Filter is basically filter 1 from this test, which turned out to be the ideally balanced version that I liked the most. Incidentally, Emile confirmed actually also preferring this filter himself, even though he loved some of the aspects of the second filter. In addition to the Default Filter, we included two alternative filters that allow pulling the presentation basically to opposing ends of the sonic spectrum. These two alternative filters allow tuning the sound towards either a darker, fuller, warmer, and more expansive sound, or a tighter, brighter, more incisive, and subjectively more detailed sound.
An important extra motivation for including more than a single filter is that experiments proved time and again that the balance will shift depending on the mains conditions, what kind of power supply is used, what other audio components are connected and how, and basically depending on a whole range of variables that exist in the real world. The shift could actually be so large that it resulted in a different filter preference.
With this in mind, the two alternative filters very effectively allow the user to tune the sound towards getting a neutral balance even with varying power supplies and mains conditions. Alternatively, the user can of course also deliberately divert from neutrality to taste.
And that is the story of how the Taiko Audio Extreme DC Power Distributor and its multiple filters was finalized!
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The Extreme DC Power Distributor offers one input, two identical Unfiltered Outputs, two identical Default Filter Outputs, and two different Alternative Filter Outputs.