WBF Poll: Which Sounds Better, Digital or Analog?

Which format sounds best to you: analog or digital

  • Analog Sounds Best

    Votes: 90 64.7%
  • Digital Sounds Best

    Votes: 49 35.3%

  • Total voters
    139
Looks like analog is kicking digital's behind so far in this poll. :D
 
Looks like analog is kicking digital's behind so far in this poll. :D

It's a lot closer than one would guess by reading most posts in this and other topics at this forum, though...
 
Surely. It is why I would appreciate reading your comparative findings about the PD, the Vivaldi, the new Metronome C8+ and the Trinity. :cool:

Comparing top-level vinyl with all these obviously will be something that hardly anyone here has done. Or did someone?
 
It's a lot closer than one would guess by reading most posts in this and other topics at this forum, though...
Indeed. The DAC/Digital forum routinely has higher traffic than the turntable forum. This is why we put it on top. Right now it has 20 viewers to 18. Earlier today the gap was even wider.

So if you are an analog guy pumping your chest by now, better go and create some threads in the turntable section to get more traffic. :D One idea that surfaced earlier was how to do a state-of-the-art LP system for a few thousand dollars.
 
Or are you saying that as long as the recording is of the highest quality, and for the sake of argument, say you have the best available recording in each format, and the best, in your opinion, of each possible equipment for the various sources, that is, your favorite recordings being played on your favorite equipment for each format, then you still don't have a preference for format? Do they all sound the same to you? Or do they sound different but one is not clearly preferable by you to any of the others?

Stimulating proposition. Digital recording and reproduction are quite excellent (my digital preference is DSD; however, it's my understanding DSD is a concern in post production). In a sense, I am format agnostic from the perspective that I would like to hear the recording reproduced in the format it was recorded. So, if recorded in analog, then reproduction in analog (my analog preference is reel-to-reel tape). If recorded digitally, or should digitization occur anywhere prior to reaching the consumer, then reproduction in digital.
 
Indeed. The DAC/Digital forum routinely has higher traffic than the turntable forum. This is why we put it on top. Right now it has 20 viewers to 18. Earlier today the gap was even wider.

So if you are an analog guy pumping your chest by now, better go and create some threads in the turntable section to get more traffic. :D One idea that surfaced earlier was how to do a state-of-the-art LP system for a few thousand dollars.

I was going to say that has a lot to do with current content. While the analog guys are happily listening away the digital guys are here creating bandwidth! ;)

david
 
I'm pretty much format agnostic. I probably listen more to digital, only because it's more convenient.
My vinyl, tape and digital definitely sound different.
 
I was going to say that has a lot to do with current content. While the analog guys are happily listening away the digital guys are here creating bandwidth! ;)

david

Precisely my point, too.
 
There's magic in them grooves :cool:
 
I disagree. Take companies that record (ed) in parallel formats like RR, Yarlung, etc. Let's take RR's early effort for example Arnold Overtures. I have all three versions of several of their releases eg. 15 ips tape, vinyl and HDCD/CD/hi-Rez. I wouldn't give you a nickel for the digital version, the vinyl is slightly better and the tape obliterates either of the previous two formats. It's not even close and for the first time, the listener can really hear how great the recording really is. The others sound like junk. The same goes for RR's later efforts that are available on all three formats like Exotic Dances, Chiurch Windows or Nojima Or take say Suryodaya available in native DSD 64-128-256fs DSD or 15 ips tape.

Or like the comparisons you allowed people to make at several shows of (IIRC 64fs DSD) vs. the second gen tape. If it was just the recording, then why were there clearly profound differences between the two formats?

It's the same thing all over again. Less filling vs. tastes great. There are too many things and variables to go wrong in the entire process. As one legendary classical recording engineer once told me, 85% of the sound is the hall.

Welcome back Myles

A little bit of web-speak such as IMO, IMHO. or the casual "I think" would help... You state your points of view in almost absolute fashion. They ain't so. They're just your opinions. I tend to give more weight to the opinion of those who are actually doing the actual works like Bruce B .. I would also assume that the "profound differences"were when everybody were heard when in full knowledge of what format was playing?
 
Frantz, when you are writing, those things are understood. The opinions are always of the writer and don't need clarification. That's why poor writers begin everything with I, I ,I, I... Drove me crazy editing.

We've debated testing before and that's the topic for another thread.

And actually Bruce agreed with my assessment of his DSD vs tape assessment from one of the shows in a thread a long time ago. In that case, the three areas where DSD deviated the most from the tape were in the upper octaves, loss of information and flat images. Here there's no argument about preference, the DSD copy should be a mirror image of the tape.
 
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Frantz, when you are writing, those things are understood. The opinions are always of the writer and don't need clarification. That's why poor writers begin everything with I, I ,I, I... Drove me crazy editing.

We've debated testing before and that's the topic for another thread.

:)
 
I am a poor writer :D
 

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