I was going to say the same but didn't want to spoil the feast but since you mentioned it ... It is fun but utterly artificial and to me very bizarre to the point of disorientation... It is as if music is being played in a weird place that clearly cannot exist ... YMMV
I was going to say the same but didn't want to spoil the feast but since you mentioned it ... It is fun but utterly artificial and to me very bizarre to the point of disorientation... It is as if music is being played in a weird place that clearly cannot exist ... YMMV
There was a time that I collected CD's recorded with Q-Sound (and there are many) but when that dog starts to bark at the opening of Amused to death you have to look outside to see where it is
Hi Lee,
I have not listened to Sheffield new series of re-releases, but unfortunately the first series CDs were not to the level of the direct cut LPs - e.g. the Harry James CD sounds compressed compared to the LP.
From looking at the Web site photos, almost all of these people are from Haiti ... What a small world! .. Thanks very much! ... I will get his album and in High Def
Winston did a few re-issues of the Sheffield recordings - Dave Grusin Discovered Again, James Newton Howard and Friends, Lincoln Mayoga and Armanda McBroom, Drum & Track. I compared only Dave Grusin to the Shieffield CD and the FIM re-issue is quite a bit better, but still far below the LP.
I consider dynamic as the ability to go from a whisper, to a roar, and back to a whisper.
I have never encountered rock, country, or popular music that I would consider 'dynamic'.
I think Amir is looking for impressive dynamics, not dynamic CDs per se. But to illustrate you definition I will recommend an Harmonia Mundi CD : "El amor brujo" , Manuel de Brujo, directed by Josep Pons. HMC905213. The whisper of the orchestra versus the roar of the solo instruments and voices is very well captured, and the violent dynamics and crescendos are unique.
Harmonia Mundi is one of the non audiophile labels that have excellent real dynamics, even in chamber music.
To impress my friends with dynamics I use Shostakovitch symphonies - the Bernard Haitink series with the Concertgebouw Orchestra , Decca recording. The 6th is a real test to a system
I think Amir is looking for impressive dynamics, not dynamic CDs per se. But to illustrate you definition I will recommend an Harmonia Mundi CD : "El amor brujo" , Manuel de Brujo, directed by Josep Pons. HMC905213. The whisper of the orchestra versus the roar of the solo instruments and voices is very well captured, and the violent dynamics and crescendos are unique.
Harmonia Mundi is one of the non audiophile labels that have excellent real dynamics, even in chamber music.
Hi Lee,
I have not listened to Sheffield new series of re-releases, but unfortunately the first series CDs were not to the level of the direct cut LPs - e.g. the Harry James CD sounds compressed compared to the LP.
Amir isn't interested at this time in LPs. I thought the Prokofiev LP from Sheffield was incredible. I'd also heard that the first-release CDs weren't that great, that's why I mentioned the new gold reissues that have been (hopefully better) remastered.
I experienced the same let-down with the Dafos CD vs. the original 45rpm RR LP. No comparison.
Amir isn't interested at this time in LPs. I thought the Prokofiev LP from Sheffield was incredible. I'd also heard that the first-release CDs weren't that great, that's why I mentioned the new gold reissues that have been (hopefully better) remastered.
Leinsdorf recorded two volumes, both of which are commanding ridiculous prices on eBay for the original Sheffield CDs. Plus, I'd heard that the CDs were pale in comparison to the Direct-to-Disc LPs (not surprising)!
I pray that it's anywhere near the LP, which always gave me great pleasure.
I had two copies of the UHQR from MFSL, and they were indeed very good. I haven't heard the redbook CD, but have it in my "shopping list" at Amazon. Is the CD pretty good?
Here's one that was famous for some time, and came with a WARNING label on the front cover, as it tended to shatter unworthy systems in the old days. This was the BIS label's first percussion disc with Kroumata (they did several). Track 4 on this disc has it all: big dynamics and impacts coupled with delicate whisper-soft tinkling bells, etc. The "music" is not to all tastes, as Steve will attest, but I've used this disc as a top reference for sound quality when equipment shopping, etc.
A bit off the beaten path. However, their Kroumata Encores SACD in multichannel won an award from our own Jeff Fritz's Soundstage. Perhaps Steve will lend you his copy for a test drive if you beg him...........