Interesting to hear all the 'Apogee Memes' rehashed, many with the usual unfair generalizations. I used to run my ribbons with active crossover and a couple of Wavac MD572 to good effect (50 or so SET watts per channel times four channels, probably power rated at the usual SET 10 percent distortion envelope). This always got compliments from outside listeners.
I transitioned to VFET's for a couple of years with directly heated triode driver stages, also to good effect.
However, I put one of the Wavac's back into the midrange ribbon recently ( crossover 350Hz@24db/octave to 7000 Hz). This time, I put in an impedance matching transformer to bump up the impedance from 2.5 ohm to 10 ohm through the 8 ohm amplifier tap.
God, it's like dying and going to midrange heaven. I feel embarrassed that I underutilized the Wavacs for so many years without feeding them correct impedance. It isn't the least bit soft sounding and images better than anything I have ever heard in my system. There is no sense of deficient power or punch, total addiction and gorgeous articulation. I would even say it dips it's toe at the threshold of the Lamm ML3 type experience. I still operate the bass panel from 80 Hz to 350 Hz with Yamaha B2 ancient VFET. The combo works very well together. The power meter on the Yamaha for that frequency band (80-350) on the bass ribbon seldom if ever exceeds 15 watts at my loudest comfortable listening level.
I think the Ayon is an OTL? It would definitely need some kind of impedance matching transformer to bump up the impedances into 8 to 16 ohms range. Impedance matching trannies are non-gapped and use continuous wire. They use the electromagnetic inductance effect of a coiled wire and thus have low insertion loss and no broken signal path. The main caveat is having one large enough for the power output of the amplifier (Yuge for over 200 watts).
OOPS, Ayon NOT OTL! I can't understand how they would't drive a Duetta. I used MBL450's for years on my Apogee Stages (3 ohm), they never blushed or burped.