In the last 10 years Kondo has NOT participated in any US show other than CES in Las Vegas and the Stereophile show in NYC about 10 year ago. Unfortunately it seems as though you must have mistaken some other room for the Kondo room at an LA show.
Audio Note UK vs Audio Japan Sonic Differences
- Thread starter caesar
- Start date
A good example of how bad reviewers are - he is writing a report on Kondo Gakuoh mk2. Mistakes?
1. using Harbeth as the speakers for evaluation
2. Comparing to Soulution power amp only, instead of using appropriate speakers and comparing to SETs too - ideally he would do multiple speakers and amps, to find where they work and where they are limited
3. Using Ayon preamp, instead of Kondo preamp.
4. Using CD source only
highfidelity.pl
1. using Harbeth as the speakers for evaluation
2. Comparing to Soulution power amp only, instead of using appropriate speakers and comparing to SETs too - ideally he would do multiple speakers and amps, to find where they work and where they are limited
3. Using Ayon preamp, instead of Kondo preamp.
4. Using CD source only
High Fidelity
And a 6CG7 is most certainly not an ECC81, it is more similar to 6SN7 in a B9a envelopeA good example of how bad reviewers are - he is writing a report on Kondo Gakuoh mk2. Mistakes?
1. using Harbeth as the speakers for evaluation
2. Comparing to Soulution power amp only, instead of using appropriate speakers and comparing to SETs too - ideally he would do multiple speakers and amps, to find where they work and where they are limited
3. Using Ayon preamp, instead of Kondo preamp.
4. Using CD source only
High Fidelity
The methodology of inserting gear under review into a reference system is deeply flawed, yet it's a common practice.A good example of how bad reviewers are - he is writing a report on Kondo Gakuoh mk2. Mistakes?
1. using Harbeth as the speakers for evaluation
2. Comparing to Soulution power amp only, instead of using appropriate speakers and comparing to SETs too - ideally he would do multiple speakers and amps, to find where they work and where they are limited
3. Using Ayon preamp, instead of Kondo preamp.
4. Using CD source only
High Fidelity
that isn’t the point here, he is inserting it into a system not suitable for the amp and not doing valid comparisons either
you could enter something into an existing system and it could sound better than the existing components, where both components are suited for the system.
The B/W's are used as they are fairly hard to drive. They use them to test the driving capability of some of the Kondo amplifiers.
I have found good SET amplifiers sound better with all speakers (with volume limitations being the drawback) but for actual sound quality the best I have ever heard from B&W was with Wyatech Labs 211 SET. The best I have heard with Magnepan was with Audio Note SORO, and the best I have heard with Quad 2905 was with an OTO. But you can't play them very loud.
Some Harbeths are harder to drive than others - but I don't see why a KONDO would struggle with Harbeth. The 40.1 is 85dB sensitive but doesn't dip below 5 ohms and stays above 6 ohms through most of the audio band. A quality SET (presumably Kondo uses quality transformers) will have no issue with that speaker. No, it's not a horn but then most horns sound shouty and generally bloody awful.
I can't speak for this reviewer but whenever I request an item for review I give them my system list to ask them if they feel their equipment will be well represented. I generally prefer a "system" and in most cases, we go through the local "dealer/importer." Assuming this reviewer requested a $110,000+ amplifier then you would think the manufacturer or distributor (or both) were fine with his preamp and speakers. So the dealer/importer/manufacturer are incompetent morons if they are sending out $110,000 amps to just "anybody" and don't "care" what the reviewer is using.
Lastly, not all reviewers are multi-millionaires who own ten $100,000 amplifiers to try and ten $100,000 speakers to try and ten $100,000 turntables and five $20,000 phono stages and five $20,000 carts to try. and ten $50,000 cables and ten $50,000 power cords.
If the company cares about system synergy - then send the reviewer the complete system. If you are just selling amplifiers then don't be a little bitch and whine that the reviewer didn't use the "perfect" speaker or source. Kondo should send the reviewer their matched preamp, DAC, Transport, Streamer, Turntable, and Speakers.
Regardless, Kondo is going to make most stuff sound better so perhaps that's why they want the review. You see - even an 85dB Harbeth can sound great with our amplifiers! I sure as shit would buy Kondo with Harbeth over bloody Soulution with Harbeth.
Lastly, the reviewer notes the issues.
"This is an amplifier that plays with a sound of powerful scale and wide range. Within the constraints of the Harbeth M40.1's low efficiency and current-hungry nature, the scale, dynamics, power - all were superb."
"Sitting quite close to the Harbeths, about 50 cm closer than usual, reading an average value of 79 dB on the SPL meter, with a maximum of 88 dB, I heard no overdrive, which means that the Japanese amplifier has considerable current efficiency. However, it's important to know that in a larger room and sitting farther away from the speakers than I did, you'll have to think about speakers with much higher efficiency."
I would say he is incorrect about the 40.1 being current-hungry as they are not.
I would also not blame the use of Russian tubes just because they're made in Russia.
If you cannot hear the bloated bass, sluggishness, or dynamic restraints when they underdrive speakers.
Really! You haven't heard Kaguras drive Apogee Diva or Magico then (and those were the more powerful Kaguras). The Souga did not sound anywhere as good with Diesis as the Gakuoh 2 or Kagura. And there are reports of Ongaku not sounding good without the Kondo preamp _ personally heard it without the preamp and preferred the Absolare on the Diesis.
Specious logic He doesn't have to be, he just needs to organize for some other SETS for compares, and roll tubes on a 300b amp. The SETs don't have to be 100k amps. But, there is no point in a review comparing the Gakuoh to Soulution on an Harbeth just to fill up space.
Within those constraints, the other noted attributes become pointless.
For example, an old B&W Matrix 800 was already a good-natured speaker with a high efficiency of 93dB only one dip under 6ohm.why not B&W. My cousin runs it with 10-12 watt RS 1003 tube amp. Not a party level but totally clean in the bass.
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I read the review twice (and carefully). And although I own the Gakuoh mk I pp amps I recently had the pleasure to listen the Gakuoh mk ii version in combination with my (pretty) efficient Tidal La Assoluta loudspeakers (no impedance drops below 4 ohm) for about a week. The way the reviewer describes the sound of these mk ii amps implies (to me anyway) that they were not an ideal match with his loudspeakers (and possibly nor with his pre amp). In my audio set up (with the Kondo g-1000 linestage, top notch (Tripoint Audio) grounding and two platforms of pure, oxygen free copper (5cm thick and weighing each around 70 kg) the mk ii amps sounded inter alia ultra fast, agile and transparent. Although the reviewer does not use the word I believe we agree that these amps sound very pure.
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That’s what Masaki San told me during my visit to Kondo factory. He also added that those B&W speakers’ relatively flat response help to reveal differences.
The new versions of the B&W 800 are all well below 4 ohms and have poorer efficiency. Good for test , listen at home no way for me with set amps.Without impedance correction it won't sound good.
Could be that it is a different way to describe what's heard. English is not the native language of this reviewer (in the past his reviews were translated by someone...).
Long story short; I heard Kondo Ongaku with various speakers and I also heard some of those speakers with AN UK Ongaku. For example when paired with Focal Stella AN UK Ongaku clearly struggles on control and liveliness where Kondo Ongaku easily handles. The same is also true with Kharma Exquisite Midi. Obviously both amps are not good matches for Stella but Kondo deals it elegantly without being embarrassed.
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