They were driving the YG with the Tenor hybrids.
Which makes sense assuming the output stage is SS.
They were driving the YG with the Tenor hybrids.
Heard it as a stereo amplifier. Actually I keep forgetting about it, when I mention other amps I've heard, since it was so mediocre...
Basically it's a big PA amp. No HF to speak of, all LF and punch, no finesse...
You're much better off with the Krell The evo402e (stereo amp) was one of the better amps that passed through here...
alexandre
I don't like the look of pass gear; no black also. Most importantly, I wouldn't consider any pure class A amp because of the higher noise floor. Ive made great effort to have a system with an otherwise low noise floor. I don't want to throw bits out because I am using a noisy amp.
I don't like the look of pass gear; no black also. Most importantly, I wouldn't consider any pure class A amp because of the higher noise floor. Ive made great effort to have a system with an otherwise low noise floor. I don't want to throw bits out because I am using a noisy amp.
What about the Boulder 2060? It's class A but dead quiet. It will drive anything on the planet. Now it comes in black.
Maybe I shouldn't have picked on Class A amps.Hello,
Could you explain your position on this a bit more , in respect to class-a ...?
Maybe I shouldn't have picked on Class A amps.
I would say that I am not a fan of amps in general that don't have at least a low enough noise floor to fully resolve a 24bit digital file. For example, if you look at JA's test on the Pass xa30.5, the A-weighted (best case) noise measurement was like -87db. OTOH, if you look at the Soulution, the noise comes in at -96.8db down. Assuming all other things equal, the greater the bit depth of the recording, the greater the dynamic range and lower the noise floor of the recording. If the amp doesn't have a low enough noise floor, then those extra bits in a 24 bit file are basically not heard.
Heard it as a stereo amplifier. Actually I keep forgetting about it, when I mention other amps I've heard, since it was so mediocre...
Basically it's a big PA amp. No HF to speak of, all LF and punch, no finesse...
You're much better off with the Krell The evo402e (stereo amp) was one of the better amps that passed through here...
alexandre
On the Genesis Dragons, I thought that the Bravo was even better than the Class A Viola Legacy, and much better than the Goldmund Telos.
Now that's not very hard...
IIRC, I had the Sonus faber Amati Anniversario back then, not that hard of a speaker to drive. Sure, it's not a speaker known for its HF extension, but still...
alexandre