I just find it surprising the mid is a puny little thing...
I have no idea if these or the WAMMS end up mostly in large living spaces or in dedicated listening rooms. Nor do I have an opinion on which aesthetic I would prefer if I ever see an actual one in person. And then there is the sound. From the photographs, I think each might make quite a statement in either setting.
We can surely criticise the high prices and decadence, and whatever else we can come up with, but I say let them duke it out. I think we benefit from the exploration of technology and the sheer willingness by these businesses to pursue such efforts.
These are the dreams of their designers. They have been successful enough to be able to pursue these dreams and make them available to others. I think it is fantastic.
Most midrange cones are in the 4" to 6" range, no?
What Alon is probably saying is that the passive components would have been so massive so as to lose a lot of the energy, as opposed to a little; he must have needed large cap and/or inductor values. And he may just wanted the option of in-situ adjustments; like many, I have also found them invaluable in my own speakers
Must ask Peter about this ..My PBN speakers use this approach, caps are precharged with three 12 volt batteries.
No. Just more sh*t. I want quality stuff. I haven't seen a change in quality from old to new magico. Slight change in sound that people with lack of exposure consider an upgrade, yes. So if I can't see a justification of 2k for Q7 mk2 (which don't stand up to Martin Logan hybrids, apogee scintilla, vintage tannoy, or devore orangutans, all substantially cheaper, we are not even taking SoTA territory), why should I see 750k as impressive given the speaker history. A marketing student should be impressed, for sure. This is just ratcheting up of price tickets by a company with impressive marketing record but not a sonics record
Use a bigger midrange driver. I have 8 inch and 10 inch mids in my systems...effortless. Our Dynamikks use up to 12 inch mids...again effortless. Of course a big panel does the same...
Zu doesn't need anyone else. You against the world
i think when assessing this ultimate Magico design, you have to consider what makes Magico......Magico. elegance, and fitting into a particular vibe trumps other criteria. how to make it the most Magico it can be. not that it won't perform really well.
ponder who chooses to actually buy a particular $750k speaker? someone who has his/her/their interior designer accessorize the room......mostly. not us mouth-breathing mono-brows with open top gear cases sitting around, listening in our underwear.
making a business case for the design, it does connect the dots.
walking into a really high class residence, would you be more impressed with the WAMM or the M9? i think the M9 wins going away. and an M9 sitting in a dealer showroom will be a magnet.
this is eye candy for the whole line-up. and i think good for the hifi industry.
LOL !Baby’s got back !Kind of a badonka-donk bottom though, if you ask me.
“Do these woofers make my ass look big.”
With a cost-no-object speaker, and a size-no-object design brief, I just have in my head that I want more midrange driver surface area. With giant dynamic driver speakers I just don't like the idea that such a small part of tne real estate of the speaker is being used to squirt out so much of the all-important middle frequency range.
I agree with you! I should have mentioned the flip side of the trade-off, which is what you're describing here.
The Q7’s binding posts are also in the middle. it was said that it would make the shortest connection to the midrange.I was told M9 consists of two parts that stack on each other. That makes sense since it is almost impossible to move a 1000 lbs 80” tall object. The 700 lbs Q7 has caused some unpleasant incidents in the past during transportation.
My guess is the split is below the binding posts. The upper portion is a complete speaker like an inverted M6, the lower part is just the subwoofer. That’s why the binding posts are so high up in the speaker.
I was wondering about the same thing, I remember reading that in the SoundStage article.If I am not mistaken, some of the technologies are actually trickling-up here, isn't the A5 got the AHC diaphragms already?