Learned a lot about how to get streaming right from this community, thought I’d return the favor of experience.
After a big insurance settlement on a stolen car, I decided to get into streaming, as my friend (similar setup but with MSB electronics) was getting excellent results using Qobuz into his Aurender W20se. bought the same streamer, and cannot express how disappointing the sound was from Qobuz. Garbage, useful for music discovery and as background music, but not critical active listening. Sure, streaming might be OK if you listen to certain genres (electronic, pop), but if your primary preference is for unamplified instruments (like piano sonatas, my fave), the limits of streaming become quickly apparent. Namely, a lack of air, dimensional space and dynamics. And all of these have one root: Noise.
IME any time noise is reduced, the musical presentation sounds more realistic. So, I went about to eradicate it from my streaming. Here’s a sampling of things I did and consider essential for proper streaming:
- Swapped all-in-one gateway for separate Arris Modem, EdgeRouter and Wifi boxes.
- Added Eastern Electric 8 switch (Ediscreation due in)
- Removed all SMPS power supplies from streaming playback (except modem) with UpTone Audio JC2 LPS
- Put WiFi on separate electrical circuit from stereo.
Finally, hit Network Acoustics up for their Muon Pro (filter+ cable) system, also ~$2k+. Rob was an absolute pleasure to deal with re: a lost package (bite me FedEx). Got the system in for trial, knowing that I could return it within 30 days. Needs about 120hours to come to fruition.
The Muon is a very effective tweak that can either be subtle, or powerful, depending on where you start (so start with the network upgrade). Your streaming will not sound different per se with the Muon; it does nothing to the tone. Bad streaming files are still bad. What the Muon does do is, like the network upgrades, make a marked reduction in your noise floor, which manifests itself as blacker background---not an artificial painted one mind you, but a removal of a pervasive electronic grey haze and a potent step towards achieving realism in streaming unamplified music. With the drop in the noise floor, music pops. Dynamics finally come through in streaming, and dynamism is the hardest thing for streaming to get right because of the inherent noise floor. The Muon takes it down several notches, with zero downside. Treble is are also more extended. Performances have air – between performers or between notes as the track dictates.
Interesting, took the Muon over my buddy’s (all-in-one gateway, Synergistic Research switch>> Aurender w20se>> MSB Digital Director>>MSB Dac & Amp); notably, his system pre-Muon had an impossibly low noise floor streaming Qobuz and excellent dynamics, despite the gateway w/ SMPS. Plugging the Muon in, it was a noticeable step backwards, with a loss of some air and detail. And this is puzzling as he has the Motorola all-in-one gateway with a SMPS too. Granted, he’s going into a better switch (Synergistic Research) that uses a Shunyata Omega QR-S powering it (note: power cord swapping on the switch was a massive change--so take note, power cords on the switch matter a lot). But it all begs the question: why did the Muon work so well with no downside in my rig and actually worsen things in his, given the compromises of an all-in-one gateway with a SMPS? I can only point to one thing: his system is also using the MSB Digital Director, which intercepts the digital output from the Aurender and connects to his MSB DAC via optical connectors. Converting a stream to optical at some point prior to the DAC seems to be a powerful and popular tweak; MSB, Playback Designs, Ediscreation FiberBox, etc all do this in one manner or another. My rig does not have that at present, and I’ve just no idea if the Muon will still be effective or warranted in systems that have optical conversions prior to the DAC. While the experiences in his rig may also be related to his better switch / power combo, I kinda doubt it: several members here are using the Muon with ambitious switches to great effect, and Network Acoustics recommends using a switch with the Muon as well…in fact, NA has its own switch due soon and is supposed to partner synergistically with the Muon. So, I’m thinking the only potential redundancy / overlap for the Muon is with optical-based tweaks, but I invite more experienced members to chime in.
Back in my rig, can I live without the Muon system? Absolutely. But would I want to? Most definitely Not. In my experience, if you’ve not upgraded your home network, start there. The Muon cannot remove all noise in the streaming path, but it will remove the last bit--approach the Muon accordingly. So if you’ve done the network upgrades and are considering a higher $ streamer, or if you question your streamer’s noise floor, I’d highly recommend the 30day trial of the Muon. The cumulative upgrades have taken my previously dogshit streaming Qobuz playback to the level of CD playback, and the Muon was an essential step in closing that gap. It’s been a worthwhile addition to my system (Ps: it pairs with the Valhalla AES like bacon & eggs).
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