Sadurnis are excellent, seamless and unhonky. I heard quite a few of the touted horn systems at RMAF a few years ago, and Sadurnis were among my favorites. You have the room for them, too.
Brad, it's interesting you say that about Nat.
If my Zus have a critical drawback, it's a certain gritty texture/greyness/lack of smoothness/opaqueness that holds them back from being truly uncoloured/neutral/transparent.
I'm sure that if Nats are not dead quiet as well, this contributes to a higher level of underlying noise.
Certainly I'm aware there is some veiling when listening to classical.
Hence I have been considering a very lower power high quality SS option like the Pass Labs XA25 stereo amp, or this plus a move to horns.
Looking at Sadurni or Haigner in the first instance, I'm wary of horns/woofers bass as in the Duos.
You didn’t get to visit another home of your AS2000. This one with Lars amplification. Another nice and kind gentleman with initial “T”. I guess we like tts.
View attachment 43257
Tang
Brad, it's interesting you say that about Nat.
If my Zus have a critical drawback, it's a certain gritty texture/greyness/lack of smoothness/opaqueness that holds them back from being truly uncoloured/neutral/transparent.
I'm sure that if Nats are not dead quiet as well, this contributes to a higher level of underlying noise.
Certainly I'm aware there is some veiling when listening to classical.
Hence I have been considering a very lower power high quality SS option like the Pass Labs XA25 stereo amp, or this plus a move to horns.
Looking at Sadurni or Haigner in the first instance, I'm wary of horns/woofers bass as in the Duos.
You didn’t get to visit another home of your AS2000. This one with Lars amplification. Another nice and kind gentleman with initial “T”. I guess we like tts.
View attachment 43257
Tang
Sadurni is absolutely on my radar.
I had been following the Staccato for a while now, but certainly the Miracoli looks the business too.
Christoph, I'll freely admit that the few times I've heard the Universums I've really not liked them.
Granted these were at UK shows so I'm aware not to rely on these impressions.
Bass was the main issue for me, the Universum just didn't sound "grounded" to me, too wispy and lightweight.
I've also heard other horns w downfiring bass, the Animas, and again could not get on w them.
Also the price seems to have almost doubled in a few short years and they require biamping, meaning if I want to maintain consistency in my amps, my budget would have to stretch to £45-50k to cover another pr Nat SETs and these spkrs.
Hello Marc
You should definitely give the hORNS Universum a listen. There is even a dealer in the UK, not too far from you, in vast contrast to Sadurni
The Universums play very seamless with great cohesiveness in the bass region and absolutely no honking and are extremely transparent.
I absolutely adore them and every listening guest (so far more than 15 people) at the very least loved the Sound.
The aestethics you either love or hate, there is nothing in between but also in this respect, the vast majority loved the look of the Universums
Agreed, Universums are pretty far good and so are Odeon No.33 or 38.
Christoph, I'll freely admit that the few times I've heard the Universums I've really not liked them.
Granted these were at UK shows so I'm aware not to rely on these impressions.
Bass was the main issue for me, the Universum just didn't sound "grounded" to me, too wispy and lightweight.
I've also heard other horns w downfiring bass, the Animas, and again could not get on w them.
Also the price seems to have almost doubled in a few short years and they require biamping, meaning if I want to maintain consistency in my amps, my budget would have to stretch to £45-50k to cover another pr Nat SETs and these spkrs.