The thing to remember is that most if not all ISP routers are based on VERY low cost consumer electronics, with cheap-as-chips power supplies built around the lowest costs components available, sometimes faulty chipsets and unsophisticated, primitive ways of sharing bandwidth between clients. On the other hand, some aftermarket routers have superior processor chipsets, better, user-configurable software, the means to set up and control client priorities etc. The ISP supplied switching power supplies are perfect examples of what you don’t want around sensitive hi-fi equipment.Hi Steve,
I thought by offering you a chance to hear the difference for yourself in your own system with zero obligation would be the best way for your question to be answered.
Understood if you don't want to try it for your self, so instead of that approach I will answer your question. This only pertains to my set ups as I believe that all networks, systems, rooms and ears are all different.
Using the Extreme, If you have a perfect network with no bottlenecks and ISP supplied modems/routers and you feed directly into the Extreme with copper or fiber you will probably get GREAT SOUND. No doubt about it.
Working on the network by trying both fiber and copper (they sound different, not better or worse, but different), getting a better sounding router than the ISP supplied router, or adding an additional router in conjunctions with the ISP router, as I did in my case, and then adding a switch into the equation, along with good lan cables can and have provided these types of results for me.
ISP modem/Router>>>>Extreme = $1
Enhanced network at a total cost for me about $6K = NOT a % or $1.25 or $1.50, BUT a TOTALLY different listening experience. Much more than % differences in sonics for me.
On the flip side Emile says that in his systems the differences are not that major. I believe it's a case-by-case basis.
My systems are now MUCH more relaxed sounding. MUCH more holographic. Tube like dimensionality/3D presentation, with great layering on the soundstage but with all SS. Big time micro and macro dynamic enhancement.
Steve, that is what happened to me, BUT I had a ISP router bottleneck. By "putzing around" with the modems/routers/switches I discovered that. My systems which sounded VERY GOOD prior now in comparison were like a garden hose to now with the enhanced network a FIRE HOSE.
This is not a matter of just changing the sound, yes certain devices will change the sound and you can tune to your liking. BUT finding better routers, switches and cables were in my case MORE telling than changing DAC's, preamps/amps and IC's/sp. cables which all cost a fortune in comparison.
You will never know unless you try it for yourself in your system. If you don't want to do that, it's totally fine, but don't think that optimizing the network for audio MIGHT not make a tremendous amount of sonic difference. The only way to know how optimizing your network will work for you is to experiment with it.
When I started optimizing the upstream front end of my system, I was stunned by the level of improvement I obtained by replacing a couple of SMPSs with some really good LPSs. Shutting down the primitive, highly flawed but grandly named ISP supplied router and replacing it with an altogether superior unit with dedicated 5GHz band brought similar levels of improvement. I’ve noted on several occasions that the improvements these changes made defied description using typical hi-fi terms because they didn’t change tonality, extend frequency ranges or the like.....what they did do was to gradually replace the ‘hi-fi created‘ soundstage with a far closer, more realistic, fully immersing rendition of the original recording venue, populated with what sounds much closer to live musicians, playing real instruments, to an extent I would never have believed possible. I still marvel at the fact that 16/44.1 redbook CD format files carry so much, previously unheard, massively detailed information. Most of the changes we make to hi-fi systems are cosmetic, in that they increase your level of enjoyment for a while, but are soon assimilated and long-term enjoyment level remain about the same. The changes tuning your front-end make are far more fundamental and profound in that every time you listen to your system, your level of enjoyment remains elevated. The music sounds more lifelike and real and therefore is, by definition more enjoyable. Although I don’t have an Extreme, I can imagine that’s exactly the response adding an Extreme to a system makes.....it permanently uplifts the enjoyment level. That level of performance was achieved by fine tuning every single component. All you’re doing by optimising your upstream supply is to continue that process By improving the environment in which the Extreme operates.
I do get that someone may be so happy with the way their system sounds that they have no further motivation to make further changes. However I also understand why many audiophiles would wish to squeeze everything they can from their systems, which is what this is about....making the very most of what Emile has delivered