Just bought early Nimbus issues of Genesis, Selling... and Wind... to rip for Marc’s listening pleasure.
thats what friends are for
thats what friends are for
Taiko Audio SGM Extreme : the Crème de la Crème
- Thread starter CKKeung
- Start date
Well Barry, we already know "Trick/Tail" sounds pretty reasonable on cd, and that rip stored on your Extreme. I think I know how "Wind/Wuthering" will turn out Tidal v cd rip.
I would say that what you're hearing with those two tracks is definitely a mastering issue. I listened to those tracks when Marc posted his review, but was able to play high-resolution versions (DSD rip from SACD for Wind & Wuthering, DVD-A rip at 24/96 for YYZ from Moving Pictures), and thought they were both decent if not quite the equal of the best vinyl versions. Certainly, neither one was an ear-bleeder.
I guess I can go back and confirm by streaming them via Tidal, but from your descriptions I'm not sure if I want to subject myself to that.
I would say that using StarTech FMCs would exacerbate any tipped up, sibilant or harsh recording, as well.
Steve Z
They do. I looked up their glass fiber on their website and there are at least two different lines. I haven't tried either since I need a 20m run and the US vendors I found stop offering "jumpers" at 10 meters.
Steve Z
I really had no idea remasterings could be so shocking. Extreme an extreme truth sayer in such circumstances.
Just as with vinyl, when talking digital recordings, transfers or remasters, provenance is everything. There are some really execrable digital transfers/remasters out there, even to high-resolution digital. And there are some bog-standard Redbook, early CDs that are astonishingly good. I've yet to find a general rule of thumb to help me choose the right version, other than listening -- which can be expensive and frustrating. But that's where we are today.
At least with the Extreme you'll know you are hearing a recording as truthfully as possible. As the saying goes, "When it is good, it is very very good. And when it is bad, it is horrid!"
Steve Z
I guess I've been kinda lucky with my vinyl. Indeed I'm not totally convinced that early pressings lord it over ones a decade later.
But remasterings really can suck. After loads of Steve Hoffman Forum-sters singing the praises of the Classic Records vinyl reissues of Genesis, including "Selling England...", I shelled out for this, to be presented with a version bereft of any real dynamics or tonal shading. My non-first (pre-cd) bog standard UK pressing walked all over it. And this Classic version is not even the infamous Nick Davis one.
But remasterings really can suck. After loads of Steve Hoffman Forum-sters singing the praises of the Classic Records vinyl reissues of Genesis, including "Selling England...", I shelled out for this, to be presented with a version bereft of any real dynamics or tonal shading. My non-first (pre-cd) bog standard UK pressing walked all over it. And this Classic version is not even the infamous Nick Davis one.
Let me see Kingsrule, 4000+ posts extolling Extreme 100%. I leave a mini review pretty much reinforcing the unanimity. I raise what I felt were reasonable areas of concern, and now get they're more areas of mastering than the Extreme itself. And pretty much admit to that online. And I'm told by you I have a "personal agenda". No agenda on THIS side.
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I could find the Finisar fiber optic transceivers but am unable to locate the Corning Clear Blue cable. Can you be a bit more specific, as for parr number etc.? I've checked the website but couldn't find what seems the right cable.
While on the subject of mastering quality, an interesting new recording format:
https://www.monoandstereo.com/2020/...ml?utm_source=dlvr.it&utm_medium=facebook&m=1
Another article here:
https://www.thebroadcastbridge.com/...files-promise-a-revolution-in-field-recording
https://www.monoandstereo.com/2020/...ml?utm_source=dlvr.it&utm_medium=facebook&m=1
Another article here:
https://www.thebroadcastbridge.com/...files-promise-a-revolution-in-field-recording
And TRPTK are in Utrecht with a stunning mastering room, well worth a visit.
https://trptk.com/blog/a-new-chapter-32bit-floating-point-dxd/
Thanks Mike. I didn't realize current DACs could handle floating-point, rather than integer, samples.
Probably OT for Extreme, so I apologize. Hey, Emile started this train of thought!
full disclosure; out of abundance of caution i did reach out to Vince Galbo of MSB and asked him this question directly; he is checking with his engineers.
so i might have spoke too soon.
