I’m pretty excited that since my Io had not been built over the last several years it now will enjoy those new transformers.
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Definitely not doing that. My experience has been that any product that leaves a residue can gum up tube sockets over time. My solution is to use Kontak once or twice a year to remove oxidation in the tube sockets. Also use it on the tube pins along with a fiberglass eraser.Is anyone using Dexoit gold on tube pins and sockets for their Io? I have been reading that not only cleaning and maintaining the tube pin connection but using a product like Deoxit gold and leaving it on the tube pins will actually reduce noise. I have used Deoxit D series to clean interconnects but I usually clean the surface and then wipe the Dexoit off the connection when I have finished cleaning.
Did we reach a conclusion, regarding tonearm cable? Maybe, XLR is ok, but no big deal? Since the first gain stage is single ended, it should not matter much - but maybe it does? I noted this old comment from Mike at Audioasylum: «with my aesthetix io/koetsu rosewood platinum signature combo i am able to use the 64 db setting with the balanced phono cable vs. the 72db setting with single ended phono cable to get the same gain coming out of the io. dynamics and noise seem to be better with the balanced/64db combination. can this perception be correct?"
I'd like to test DIN to XLR cable, esp to hear if the noise improves, but they are not so easy to find now. My existing RCA are short Kimber kcag.
Cleaning sockets and connectors has a profound effect on everything that matters IMO. How you do it is of course, your choice.I have used some electrical contact spray cleaner when installing tubes (on the tube pins only, not the sockets), but not as a regular procedure. I didnt hear much of a difference but should maybe repeat the test. What I do, maybe once a year, when I open the Io chassis, is to snuggle the tubes a bit, to ensure good electrical contact. The sockets are clearly of good quality, holding the tubes in a good grip, even after many years of heat / operation.
Reading back in this thread:
Outsiders should be welcomed, not just 'insiders' having used the Io for years. Sorry if I implied otherwise in a post above.
Opinions on the optimal Io gain to preamp diverge . Maybe as high as 100 pct (82,5 db) or further down to 60. Lower than that, the Io sounds less dynamic. It obviously depends on the cart input and the preamp, but there seems to be a convergence; try the Io with max or close to max gain.
That is hard to explain. A cartridge can be wired to an appropriately equipped phono stage single ended or balanced. But, the cartridge is not changing its overall output when wired balanced. It is still 0.2 to 0.6 millivolts (or thereabouts for most moving coil cartridges). What does make a difference in gain is whether the single ended or balanced outputs of the Io are used. The balanced outputs will produce double the voltage into a differential input.Did we reach a conclusion, regarding tonearm cable? Maybe, XLR is ok, but no big deal? Since the first gain stage is single ended, it should not matter much - but maybe it does? I noted this old comment from Mike at Audioasylum: «with my aesthetix io/koetsu rosewood platinum signature combo i am able to use the 64 db setting with the balanced phono cable vs. the 72db setting with single ended phono cable to get the same gain coming out of the io. dynamics and noise seem to be better with the balanced/64db combination. can this perception be correct?"
I'd like to test DIN to XLR cable, esp to hear if the noise improves, but they are not so easy to find now. My existing RCA are short Kimber kcag.
I used to use a similar product in another system configuration when I was living in Europe. But, As Oldvinyl mentioned, some products can leave residue which is not good. My recollection was using the Walker Audio SST silver treatment on power cables and tube pins. I did notice a perceived improvement in sound when used on the AC cables, Neotech and Isotek. For the tubes, well, I hesitated but gave it a shot in few tube spots on the Octave MRE tube amps. I did extensive tube rolling at the time, so did not really get a sonic signature from using SST on the tube pins. The residue was highly visible on the AC power cables and also visible on the tube pins so I stopped using it. Todays AC cables perform way better and I don’t feel a need to add any liquid contact enhancer.Is anyone using Dexoit gold on tube pins and sockets for their Io? I have been reading that not only cleaning and maintaining the tube pin connection but using a product like Deoxit gold and leaving it on the tube pins will actually reduce noise. I have used Deoxit D series to clean interconnects but I usually clean the surface and then wipe the Dexoit off the connection when I have finished cleaning.
Hi OGH,I have invested in a Telefunken ECC83 quad for the first gain stage. The NOS Philips I use have a lot to recommend them. I like the way they sound, but they have gradually become a bit too noisy, in this stage. They may do very well in the next stages however. Maybe you have suggestions? Looking forward to the new quad, selected for low noise by the seller. Hope it works out.
Also - a little off topic, maybe. As you all know, with the Io, investments and adjustments earlier in the sound chain really pay off. Like optimal cart alignment. I am testing Fozgometer v2 for azimuth adjustment, and even if my setup was already quite good, there seems to be an improvement.
Looking forward to reading further test results from you regarding the Fozgometer V2. I have the V1 and find it a very useful tool for the analog aficionado.Fozgometer testing, well worth it, still going on.
Anyone with advice, what do you do with your very good NOS tubes in the first gain stage, sounding musical as ever but gradually developing more background tube noise? Are these actually "low hanging fruit" later in the chain - in positions where the noise level is less critical? Should I try them in a later gain stage, or in a power supply - or are they best forgotten?