My OP-21A-D will be arriving in a few weeks’ time. On the subject of vibration reduction, both external (both acoustic excitation from loudspeakers, structurally borne, from platform/shelves, etc.) and internal (chassis, PCB, transformer, etc.) for Cybershaft Master Clocks, which device have owners found to be most effective? I’ve passed on the spiked product offered by Cybershaft because I don’t believe in the concept of a simple spike being a mechanical diode “draining” vibrations away from the component - that assumption (I thought) evaporated decades ago...
I’m now auditioning Stillpoints Ultra 6s (as three were available for a home audition) under my DAC to get a sense of the “house sound” of the Ultra’s isolation technology. The Ultra 2s x 3 will be considered for my OP-21A-D, should the audition of the Ultra 6 loaners go well for my DAC. Given the near-universal praise of Center Stage footers on WBF as being superior to the Stillpoints Ultras, they’re also on my audition list.
Will owners of the Cybershaft Master Clocks please share their experiences with various vibration reduction footers? Thanks!
I’m now auditioning Stillpoints Ultra 6s (as three were available for a home audition) under my DAC to get a sense of the “house sound” of the Ultra’s isolation technology. The Ultra 2s x 3 will be considered for my OP-21A-D, should the audition of the Ultra 6 loaners go well for my DAC. Given the near-universal praise of Center Stage footers on WBF as being superior to the Stillpoints Ultras, they’re also on my audition list.
Will owners of the Cybershaft Master Clocks please share their experiences with various vibration reduction footers? Thanks!
Last edited: