Dear G,First class Sir,
Once more you improve things despite the haters,bravo.
Kindest regards,G.
Hi Tang, glad you had Taylor Swift teaching you, I had the General playing me some very rare records. He is not as pretty as Taylor Swift, but he had a new artisan fidelity 301 next to the Vyger that some people here might fancy more. With a Reed 3p and Miyajima mono
Yes. The Four Italian. That one.No, this is the verison I have on analogphonic! four Italian sonatas. Is it that one
Hi Tang, glad you had Taylor Swift teaching you, I had the General playing me some very rare records. He is not as pretty as Taylor Swift, but he had a new artisan fidelity 301 next to the Vyger that some people here might fancy more. With a Reed 3p and Miyajima mono
Dear G,
You amaze me how you can detect things. I am pretty much surprise of what I am hearing too. The wood panels are very effective. Adjusting the angle of my top and middle horns is also the key. We are ocean apart. I don't know how to share you my joy except giving you this video of Milstein.
Sweeet ... Gorgeous tone ! Possible to put up a clip of the Sibelius pressing that you had posted earlier, that would really telling in how much change these panels have brought about... Regards
(...) Yes, the panels replacing absorbers give a lot of lively energy. I used to do 4-5 clicks on Lamm volume knobs. Now 3 clicks. The wooden diffuser panels do clean up sound so well especially on highs making nuances more obvious. Together with realigning my horns, the staging, layering, the air around instruments just flood out from vinyl groove and into the room. I am not kidding you Ked every record just has its own story even much more than you have heard. Scrap what you have heard in my room before. I have been playing records you recommended the past few days, they are really really good records. Better than I thought they were. All of them were obvious you-are-there. Not a single one presented a they-are-here. Big orchestras are just fantastico. Another thing that you can easily feel is there is absolutely no sense of spot lighting on anything. Just a very open sound so effortlessly in front presenting different places.
Great to know your ears are not muddied by all those listenings you've been doing with Altec woofers.
Yes, the panels replacing absorbers give a lot of lively energy. I used to do 4-5 clicks on Lamm volume knobs. Now 3 clicks. The wooden diffuser panels do clean up sound so well especially on highs making nuances more obvious. Together with realigning my horns, the staging, layering, the air around instruments just flood out from vinyl groove and into the room. I am not kidding you Ked every record just has its own story even much more than you have heard. Scrap what you have heard in my room before. I have been playing records you recommended the past few days, they are really really good records. Better than I thought they were. All of them were obvious you-are-there. Not a single one presented a they-are-here. Big orchestras are just fantastico. Another thing that you can easily feel is there is absolutely no sense of spot lighting on anything. Just a very open sound so effortlessly in front presenting different places.
What brand of diffusers did you get Tang ?Great to know your ears are not muddied by all those listenings you've been doing with Altec woofers.
Yes, the panels replacing absorbers give a lot of lively energy. I used to do 4-5 clicks on Lamm volume knobs. Now 3 clicks. The wooden diffuser panels do clean up sound so well especially on highs making nuances more obvious. Together with realigning my horns, the staging, layering, the air around instruments just flood out from vinyl groove and into the room. I am not kidding you Ked every record just has its own story even much more than you have heard. Scrap what you have heard in my room before. I have been playing records you recommended the past few days, they are really really good records. Better than I thought they were. All of them were obvious you-are-there. Not a single one presented a they-are-here. Big orchestras are just fantastico. Another thing that you can easily feel is there is absolutely no sense of spot lighting on anything. Just a very open sound so effortlessly in front presenting different places.
I had my acoustician made them for me Lagonda san. I wanted them to be part of the room decoration not an add on. Here is a side angle.What brand of diffusers did you get Tang ?
Sir. You are the champion on that. I don't even need to hear it myself to believe it.sounds like you don't need my 3D, you have your own.
3 years ago when i was tweaking my room i came to a juncture where i found that removing my RPG Skyline stack (between my speakers) on my front wall made things better. whereas previously it had helped. everything is context. happy to hear you are finding the room synergy and things are more real.
Dear Professor. It was you who triggered me with your comment using calibration tape a month ago. I played around with it and somehow led me to put on a test vinyl with pink noise thing. Then I started to detect things.Great to know you are discovering the joys of sound diffusion ... The most fascinating article I read on it was written by Keith Yates in Stereophile some decades ago - I still keep my issue with King Kong in the cover. I still enjoy re-reading the whole article from time to time, I learned more from this article than from any formal review. http://keithyates.com/a-matter-of-diffusion/
For another masterpiece of audio literature read Keith Yates piece on audiophilia : http://keithyates.com/652/
Dear Mike. You really should because it was all by you. Your room, the room you made yourself, is the accomplishment. Equipments? Anyone with money can buy. You should be praised more when people visit you instead of praising the system. That's my opinion. No brown-nosing.enjoy the journey, my friend.
for me it was the most rewarding time of my music loving life. many discoveries and beautiful surprises. and as you say, it cost almost nothing. i still get a positive glow when i think about it.
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